Catégorie : Projets des sections internationales Page 1 of 5

Our visit to the « Comptoirs de L’Inde »

Our visit to the « Comptoirs de L’Inde »

Les Comptoirs de l’Inde” is an organisation established in November 1997. It is a Cultural and Documentation Centre about India, located in the 20th district of Paris, which contains more than 3000 books, documents, postcards, photos, stamps and family archives. This organisation presents the French history in India, more precisely the history and culture of the former Comptoirs, without forgetting the richness of Indian regional cultures: Tamil, Telugu, Bengali and Malayalam.  “Les Comptoirs de l’Inde” implements various actions to highlight the cultural influence of India and the former French comptoirs of history and memory. Towards the end of 2023, as part of the nation-wide event Les Enfants du Patrimoine, my class and I visited this organisation.

Exploring India’s history and the impact of French colonialism was a rich and enlightening experience for us all, offering valuable insights of India’s colonial aspects and their enduring effects on Indian society. One particularly illuminating aspect of our visit was the opportunity to hear from guest speaker Douglas, who shared his first hand experiences as an Indian soldier serving under French rule. Douglas’s accounts provided a unique and personal perspective on the challenges and struggles faced by Indian individuals within the context of colonial domination. Through Douglas’s narrative, we gained a deeper understanding of the social, cultural, and political challenges by colonialism. His stories offered a nuanced perspective on the various impacts of the French colonialism. Furthermore, one of our classmates  discovered that Douglas as an Indian soldier, had served alongside her grandfather in the army. He also knew her grandmother as they came from the same village.

As well as exploring the historical aspects of colonialism, our discussion also involved the caste system in Indian society. Learning about the role of castes educated us on the social hierarchy and culture that have shaped India’s identity and community until today. We also talked and thought about caste discrimination and social inequalities, that are still present today. The vivid descriptions of India’s landscapes, cities, and cultural traditions evoked a sense of nostalgia for me and some other Indian students but most importantly this educative experience created  a sense of inspiration and curiosity for others. Overall, this exploration of India’s history and colonial imprint provided a rich learning experience and greater connection to the precious tapestry of India’s cultural heritage.

 

Surya, élève en Te8 Section Internationale anglais britannique

 

SI GB Students become Europorters

SI GB Students become Europorters

Students in the British English International Section took on the rôle of journalists this term to take part in the Europorters competition.

Before beginning their journalistic investigations, the students took part in a role-playing simulation game on decision making in the EU, based on the Chocolate Directive. We visited the Europa Experience in the heart of Paris to learn more about how the EU operates and how citizens can participate.

The students collaborated with the school librarian to look at how journalists find an angle and how to find different sources before deciding on a story to pursue.

The subjects chosen range from sport and language mobility in Europe, the brain drain experienced by some EU countries and pesticide use. Most students chose to use their audiovisual skills to make audio or video reports and one group preferred to write an article.

You can view their journalism here.

Europorters AI

Pesticides Europorters

Erasmus Brexit Europorters

Erasmus+ Sport Europorters

Brain Drain Europorters

To be or not to bee

The impact of bees on our world is invaluable. Thanks to pollination, they have broadened the scope of different flowers and they have developed the most complex societies to facilitate their exploitation of the environment. Indeed, the declining of bee population is an important issue because it could have terrible consequences. To reverse the decline of bee population, the European Union has passed laws and set programs to protect bees.

The EU’s Biodiversity Strategy for 2030 aims to reverse the decline in both the numbers and diversity of bees and other pollinators, forming part of a broader set of commitments and targets aimed at restoring nature within the EU. To meed this aim the EU Biodiversity Platform was established, where working group is dedicated to bees. Additionally, various initiatives under the European Green Deal contribute to addressing the threats facing pollinators.

The initiative has three main objectives: improving knowledge of pollinator decline, improving pollinator conservation and tackling the causes of their decline, mobilising society and promoting strategic cooperation at all levels.

Scientists are already working on the causes of pollinator decline. Findings show that is is due mainly to the reduction of feeding sites and depletion of food resources, climate change and pesticide use. Despite the laws regarding their use in Europe and limiting its use, the beekeeper, Bruno Petit, interviewed at his honey market stall in a train station near Paris, explained that since the laws had been passed, nothing had changed. He was unaware of the laws and he felt that it was the case for many fellow beekeepers.

The program put in place by the European Union is essential, but the actions needed to reverse the damage to bee populations must accelerate. Communication to reverse the decline of bees and other pollinating insects has to reach farmers, beekeepers and gardeners who can act on conservation. Beehave, beelieve and beecome an actor for the future!

Karen McCourt

7 years to make change happen

The students in 1e8 recently spent an afternoon with medical practitioner and environmental campaigner, Dr Pinto, who joined us via video link from the United Kingdom. She highlighted the critical situation that the planet is in but she also addressed the way this can make us feel. She left the class richer in facts about the climate crisis. Dr Pinto also suggested many actions that we can do to help.

Climate change is very important – we need to act as quickly as possible to save the world and hope for a better future. We can help in many ways: stop over-consuming, stop wasting food and clothes will help a lot. Going vegan or vegetarian or simply reducing the amount of meat products can help reduce pollution. Recycling is the way to go! – Surya

 

The interesting facts I discovered highlighted the link between health and ecology: pollution from the pharmaceutical industry as well as how it impacts mental health. We have 7 years to change the way we live – 2030 is the deadline. After that we won’t be able to turn back. The industrial production process for ONE pair of jeans and ONE t-shirt uses the same amount of water as ONE person uses over THRITEEN years. – Salomé

Flash Collection

 

“Flash Collection”, a travelling exhibition came to Lucie Aubrac, to inspire the international class. On the morning of Tuesday the 14th of March 2023, the students of 2nd8 were joined by a lovely frac employee who introduced six works of art in an unexpected fashion. We discussed still art, performing art, and what art means to us. We also learned about the frac organization. So what is the frac? It is the acronym for Fonds Régionaux d’Art Contemporain, a public collection created in 1982 by Jack Lang. There are twenty-three Frac in France, one per region. Since 2013, the Frac collection holds 26 000 works of art made by 4 200 artists that come from all over the world. But what are the real missions of a Frac? The collections aim to build a heritage of contemporary art, support the creation of emerging artists, give visibility, and raise awareness of the public, especially the younger generations. They have numerous partners to realize and finance this wonderful project.

« Flash collection » is a project specially designed in 2016 for high school students in Ile-de-France. Indeed, the designer Olivier Vadrot has created a flight case that contains multiple works of contemporary art from the collection of the Frac which stands for Regional Fund for Contemporary Art.

The aim of this project is to teach and introduce the world of contemporary art to high school students in the Ile-de-France region in a fun way. Not all Ile-de-France residents have equal access to artistic knowledge. The Flash Collection flight case contains a small selection of contemporary works, and allows for a different approach to art, one that is much more interactive. Students have direct access to the different works of art, introduced by a person specialized in them. This allows the students to have a guide who is present to answer all our questions, to expose students to artistic works and talk to us about the works that have been pre-selected.

Mallette Flash Collection

The works in the « flash collection » were transported in a flight case, usually associated with the world of entertainment. The design of the flight, used to safely transport the various works, has a meaning: the red and yellow flight case is reminiscent of the film « Flash », following the adventures of a fast car. The whole notion of speed is thus taken up by the design of the box. In addition, the name « flash collection » suggests something temporary and provisional. When the lady presented the different works of art, they were in boxes that are typically associated with magic. All these colours and this process of discovering a work is used to make the collection accessible to as many people as possible and is a fun and interactive experience.

The 2e8 students were introduced to various art works by Magalie, a FRAC employee. Firstly, they discovered John Stezaker’s collage made in 2007. In this piece of art, the artist used a picture from a scene of a black and white film in which a dying man lies on a bed surrounded by other people. On top of the picture, Stezaker layered the picture of the landscape of a lake that seems to be the continuity of the lying man. Another art work that was presented to the Seconde was “Dinner in the pool”, a photograph by Bill Owens taken in 1980. Initially a photographer for a Californian magazine, Owens enjoyed taking pictures of typically American everyday of the working classes in the late 60s. Lastly the students spent the most time discussing Veronique Jourmard’s sculpture entitled “Horloge” made in 2001. It is a ready-made, which in art is the process of by which an artist appropriates a manufactured object and deprives it of its basic function to turn it into a piece of art. The original clock came from Japan and was transformed by the artist herself. She removed the hour hand and the minute hand to only keep the second hand and painted it in red. This sculpture represents vanity as it emphasizes the seconds going so fast and time flying by. Some students felt anxious looking at the clock. It created a lot of discussion about how time is limited and how we spend our lives. Even though it is common knowledge this helped the students realize that they needed to enjoy every second of their lives because they are not eternal.

The Urinal is a ready-made sculptor by Marcel Duchamp, presented for the first time in 1917. The piece of art is a public urinal upside down and signed “R. Mutt”. It was the most controversial work of art of the 20th century as it had an impact on an entire era of art. This simple piece of art hides a whole story. Marcel Duchamp was a member of the Society of Independent Artists (SIA) when he decided to present The Urinal anonymously to the jury with a fake name for it to be exhibited. However, his public urinal was refused because “its place is not in an art exhibition and it is not a work of art, according to any definition”. When Duchamp learned this, he left the SIA without revealing his link to the yet unknown artist, “Richard Mutt”. Obviously, this story stirred up heated debates about what should and could be considered art. His friend Alfred Stieglitz took a photo of it and published it for the journal The Blind Men. A little after this, he put The Fountain in his New York gallery. It was stolen, broken, lost, destroyed but despite all, this work of art has really overturned the codes and is a perfect example of contemporary art.

The next day the class met and discussed what we appreciated and how some of our opinions differed. Everyone shared their views about the works they had seen. We then asked ourselves about the presence of art in our society (whether it is useful or not) and questions that we thought were useful to ask when we observe a work of art.

In the end, the whole class agreed that the « flash collection » was a good idea to bring art into the daily lives of high school students.

Article written by a group of students in 2e8 Section Internationale anglais britannique

Printemps des Poètes en version anglaise

This is the photo-poem created by students in the British English International Section on the theme of Borders as their contribution to the Printemps des Poètes. The International Section also participated this spring in the ASIBA poetry competion on the theme of Home. The overlapping themes generated some interesting ideas that appear in the collage and some beautiful imagery in the poems.

 

Clydeview Academy Meets Lycée Lucie Aubrac

A group of students from Première and Terminale in the British International Section were delighted to spend time with pupils from Clydeview Academy, Greenock (Scotland) during the February holidays. The Clydeview pupils visited Paris in preparation for their French oral exams this Spring.

After a morning spent getting to know one another, playing games and discussing research topics chosen by the S6 pupils preparing the Scottish Baccalaureat, the students enjoyed a meal together in the centre of Paris.

All the best of luck to the Scottish students for their up-coming exams!

            

 

Page 1 of 5

Fièrement propulsé par WordPress & Thème par Anders Norén